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, by Destiny Soria
Download , by Destiny Soria
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Product details
File Size: 1646 KB
Print Length: 384 pages
Publisher: Amulet Books (October 11, 2016)
Publication Date: October 11, 2016
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B01IDGS3BU
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Amazon Best Sellers Rank:
#199,699 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
After everything, I have to say I was disappointed with this book. I did enjoy the story, overall. But, based on the book blurb, I had much higher expectations. For fans of Libba Bray's The Diviners, this is far from that level.My biggest problem: I felt like I was thrown into the middle of a series and the world-building was just skipped.The whole book is built around a society divided between hemopaths and regs (regulars). Hemopaths have afflicted blood that gives them artistic gifts - wordsmiths, songsmiths, thespians, artists, etc. And for some reason this affliction gives them a serious aversion to iron, and apparently several other metals to a lesser degree? The reader gets a lot of information about what wordsmiths and songsmiths (and other talents) can do, but there is absolutely no link between these gifts and the blood affliction or iron aversion. The reader is told the "affliction" manifests during teenage years, that it is very painful, and then you have a gift and a metal aversion, but that's all you get. There is no other information about why the blood disorder causes the metal aversion or how the gifts are linked. It was almost like the author had an idea about characters with a blood issue and it segregating them from society, and an idea about cool magical talents, and just decided to use both. There was not enough world building to relate these things together. When I read the book blurb, I had envisioned hemopathy being something magic in the blood of these people and the controversy behind it was going to be trying to obtain and use hemopath blood. Almost like a Prohibition dealing with magic blood instead of alcohol? And the reference to an infamous gangster made me think there was going to be a lot more about gangsters... But actually it's nothing like that.The reader is told that scientists don't know a lot about hemopathy, there's an asylum where they are doing all kinds of secret experiments to "cure" hemopaths, but you get no information as to whether this is a worldwide new disorder, or where hemopathy came from, or how it manifests. The two sides of hemopathy just don't link together well.Furthermore, I got the impression there would be more gangster and Prohibition/speakeasy action, but actually this book is set before the beginning of Prohibition, which was a big disappointment to me. The clubs were kind of underground clubs, and there were raids, but the raids were about performing illegal hemopath shows, not about serving illegal booze. It was like the author liked the era, the clothes, and the idea of the secretive clubs, but didn't feel like bothering with the rest of the 1920s. And the club that was the focus of the book was the Cast Iron Club - having read the book I'm not really sure why the title is Iron Cast.The story is not bad, I just kept waiting for information and world-building that never came. I had been excited about this book for months, and it just didn't deliver.
Iron Cast is set in an alternate 1919 version of Boston, where a subset of society have an affliction called hemopathy, which allows them to create illusions via different art forms.The premise of Iron Cast is intriguing, but the book doesn't provide enough world building to really expand on hemopathy. We see Corinne create illusions for people - she can make them think they see a building burning or that their hat has turned into a rabbit - while Ada manipulates people's emotions through music. There's some background on hemopathy as a blood condition, how it manifests, and its side effects, but very little else. The historical setting also feels very vague, and it often felt as though Soria set the novel in 1919 merely because it was right before Prohibition. There are some callouts to the late 1910s, but not enough to really feel like a firm setting. The novel could have been set in the modern era and not much would have changed. I appreciate a good historical fantasy novel, but if you're looking for a lot about the time period, you won't find that here.Soria provides a wonderful female friendship between Ada and Corinne, though Corinne is incredibly grating. There's been a trend in YA fiction for the past decade of having a sarcastic, feisty female character and this is apparently meant to be funny and refreshing, but often comes off as rude and mean. Corinne is definitely rude and mean. Most of her interactions have her judging someone before they even do anything, and being oblivious to the plight of others. I spent most of the book wondering why Ada was even friends with her. Ada, on the other hand, is well-balanced between worry and collectedness, though her characterization seems less nuanced than Corinne's. All the other characters are fairly one-note, to the detriment of the story. They're there for the ride and as supporting players, but aren't fleshed out enough that you grow to care for them.Despite the intriguing premise, the plot itself can't seem to decide whether it wants to be a fantasy adventure or a gangster prohibition caper. The plot starts off as primarily about hemopathy and the capture, imprisonment, and torture of hemopaths and then veers wildly into a story about prohibition where hemopathy is almost an afterthought. The last third of the novel feels very rushed, almost to the point that I wonder if Soria had to meet her deadline and just pushed everything out at once. Almost all of the "twists" and betrayals are expected, and having so many of these twists and betrayals happen in the last third of the novel was exhausting.Overall, Iron Cast had potential, but too much world building, character development, and plot development fell by the wayside. It's an okay read if you have a few hours, and while the aspect of hemopathy is memorable, not much else is, which is unfortunate.
The friendship between Ada and Corinne is really the key relationship between two people in this book. I wouldn't say we really see it evolve, but it's the core relationship that helps Ada and Corinne individually navigate the changes in Boston and in the Cast Iron. They're so very different (different ethics and talents and desires), but they're there for each other, always wanting to be on each other's side and by each other's side.They also both have important familial relationships, and those do have arcs. I like where Ada's goes (her mother, Nyah, is amazing), but I love Corinne's family arc. It fits so strongly with what Corinne is learning personally in this book.I appreciated how little of world history was changed here because of hemopathy. Ada's point of view, in particular, brings up a lot about race and histories of slavery and colonialism. A lesser book might have minimized racism because of the large amounts of anti-hemopathy in the story here, but Iron Cast doesn't.There was one thing about when the HPA came into existence that I thought caused a continuity error?One instance of "just a friend."
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