Minggu, 18 November 2012

Download PDF Persepolis: The Story of a Childhood, by Marjane Satrapi

Download PDF Persepolis: The Story of a Childhood, by Marjane Satrapi

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Persepolis: The Story of a Childhood, by Marjane Satrapi

Persepolis: The Story of a Childhood, by Marjane Satrapi


Persepolis: The Story of a Childhood, by Marjane Satrapi


Download PDF Persepolis: The Story of a Childhood, by Marjane Satrapi

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Persepolis: The Story of a Childhood, by Marjane Satrapi

From Publishers Weekly

Satrapi's autobiography is a timely and timeless story of a young girl's life under the Islamic Revolution. Descended from the last Emperor of Iran, Satrapi is nine when fundamentalist rebels overthrow the Shah. While Satrapi's radical parents and their community initially welcome the ouster, they soon learn a new brand of totalitarianism is taking over. Satrapi's art is minimal and stark yet often charming and humorous as it depicts the madness around her. She idolizes those who were imprisoned by the Shah, fascinated by their tales of torture, and bonds with her Uncle Anoosh, only to see the new regime imprison and eventually kill him. Thanks to the Iran-Iraq war, neighbors' homes are bombed, playmates are killed and parties are forbidden. Satrapi's parents, who once lived in luxury despite their politics, struggle to educate their daughter. Her father briefly considers fleeing to America, only to realize the price would be too great. "I can become a taxi driver and you a cleaning lady?" he asks his wife. Iron Maiden, Nikes and Michael Jackson become precious symbols of freedom, and eventually Satrapi's rebellious streak puts her in danger, as even educated women are threatened with beatings for improper attire. Despite the grimness, Satrapi never lapses into sensationalism or sentimentality. Skillfully presenting a child's view of war and her own shifting ideals, she also shows quotidian life in Tehran and her family's pride and love for their country despite the tumultuous times. Powerfully understated, this work joins other memoirs-Spiegelman's Maus and Sacco's Safe Area Goradze-that use comics to make the unthinkable familiar. Copyright 2003 Reed Business Information, Inc.

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From School Library Journal

Adult/High School-Marji tells of her life in Iran from the age of 10, when the Islamic revolution of 1979 reintroduced a religious state, through the age of 14 when the Iran-Iraq war forced her parents to send her to Europe for safety. This story, told in graphic format with simple, but expressive, black-and-white illustrations, combines the normal rebelliousness of an intelligent adolescent with the horrors of war and totalitarianism. Marji's parents, especially her freethinking mother, modeled a strong belief in freedom and equality, while her French education gave her a strong faith in God. Her Marxist-inclined family initially favored the overthrow of the Shah, but soon realized that the new regime was more restrictive and unfair than the last. The girl's independence, which made her parents both proud and fearful, caused them to send her to Austria. With bold lines and deceptively uncomplicated scenes, Satrapi conveys her story. From it, teens will learn much of the history of this important area and will identify with young Marji and her friends. This is a graphic novel of immense power and importance for Westerners of all ages. It will speak to the same audience as Art Spiegelman's Maus (Pantheon, 1993).Susan H. Woodcock, Fairfax County Public Library, Chantilly, VACopyright 2003 Reed Business Information, Inc.

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Product details

Hardcover: 153 pages

Publisher: Pantheon (April 2003)

Language: English

ISBN-10: 0375422307

ISBN-13: 978-0375422300

Product Dimensions:

6.3 x 0.7 x 9.2 inches

Shipping Weight: 15.2 ounces (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

1,099 customer reviews

Amazon Best Sellers Rank:

#60,996 in Books (See Top 100 in Books)

This book or comic is already pretty popular, and already a highly recommend book so what can I offer that these others haven't mentioned? I don't know, I honestly don't think I can but maybe someone can take away something about what I say. Now there not a lot of books dealing with Iran or the Iranian revolution and if their is I haven't found them yet. Now this book is about a young girl going through Iran cultural revolution and how people change and how her whole family had to change or adjust to their surroundings. Eventually she goes to Europe or France (if I remember correctly) and having to deal with love, liberals or hippies, and racism and mean nuns. I don't think story is the first of its kind but that doesn't mean that it should be undermined. The story has great illustrations and how the author deals with this struggles. In a way you see her loose her innocents through a child's eyes till adulthood. There are plenty of stories of young woman having to deal with change, and their countries sexist views and using their religion to justify their actions. Even some American states do it, so calling us nothing or better than Iran is hypocritical. If your intrested in Iran, or the story of a young girl having the deal with change or racism, or the struggles of living in a very conservative/ religious country I would highly recommend this book. Thank you for reading my review. Now if your looking for another Iran comic book that deals with serious issues like Persepolis then look no further than Zahra's paradise.

This is part 1 of a 2 part story. Ms. Satrapi's masterpiece is one of my favorite works in all of comics. I read this when it came out and foisted it upon all of my comic reading friends. I gave a copy to a niece several years ago, and then recently bought another copy for another niece for her 11th birthday (I'll hold off on part 2 for her until she is 14). Because I had given it to both nieces, my 76 year old mother decided to read it. She is a retired English teacher, and she was floored at how good the story was and how powerful the medium of comics are in telling a story. Persepolis ended up jumpstarting my mother's interest in comics, and in the following weeks she read all three volumes of March, both volumes of Maus, the Story of My Tits, Chicken with Plums, and Two Brothers (this last one confused her, but she loved everything else).So, there you have it. This floored my 11 year niece and my 76 year old mother. It's brilliant and timeless.

This clever book is a kind of a memoir slash graphic novel slash comic book that’s essentially a coming-of-age story about a girl growing up in Iran.I really enjoyed this book and found it really interesting and thought-provoking. Although it sort of appears to be a light-hearted read, it gets into some serious stuff at times and really gives you some perspective.Overall, I highly recommend this book to both young adult readers and adults alike.

A long time ago my high school history teacher put the movie version on in class, much to the dismay on my classmates. A lot of people began complaining about it so my teacher turned it off. I remember being so fascinated by Marjane Satrapi's story and finally picked myself up a copy of her book. What a wonderful story. I think what I love most about the book (which is made up of comic strips) is how different the emotions can be and change. One story/comic strip will have you laughing, another furious, and another heartbroken. It was truly inspiring to see how Ms. Satrapi moved about her life and the trials and tribulations that came with it. Loved it and would highly recommend.

Finally, in the early 21st century do we receive a woman's view of life in Iran. Persepolis deserves to sit among Hirsi Ali's Infidel and Husseini's Murder in the Name of Honor. Perhaps because he parents were not overly devout Muslims, Marjane was permitted to read to her heart's content. She assimilated copious quantities of political dogma at a young age, which enabled her to see things from several perspectives.We are shown life through Marjane's eyes from her days in elementary school (even then she is a bit of a rebel, unwilling to wear the burka in the desert, though she is not alone here). Growing up in a society where social class and gender matter more than anything else, she feels genuine grief for her maid, who is doomed never to marry the neighbour she loves. Fortunate enough to evade the bullets through serendipity before the Shah's overthrow, she is forced to mature rapidly and learns that she must not blame children for the atrocities of their parents. Perhaps the most profound moral of her childhood tribulations is the price of freedom and the tragedy for those left behind, hoping, worrying and fearing for the fate of their loved ones who were imprisoned for being enemies of the state. Everyone living in the democracy must be grateful they are not suffering the fate of North Koreans.Always, regrettably, the dark puppet-masters are omnipresent. Willing to aid despots in their quest for power, the common people are often forgotten and seen as expendable. With no means to resist armed police (or escape from a barricaded cinema), their insurrections are often easy to quell. Recurrent themes are the deadly chains of hatred, vengeance and bitter grief. Forgiveness is a laudable goal, and though Gandhi succeeded in his endeavours, one is always left wondering whether the cost in human lives was worthwhile. Was there a better way? Could the soldiers have been convinced or coerced to turn against their own oppressive regime if necessary?Although told from Majane's perspective, the stories of her uncles, friends and extended families also receive their fair share of space. Each chapter of the first half reveals more of the history and culture of Iran in the 70s and 80s. No detail is omitted and the harsh realities of a country in the throes of anarchy are laid bare for readers to vicariously experience.Her secondary education in Vienna enabled her to learn more about the world beyond Iran's narrow and artificial borders. Like Anne Frank's diary, as Marjane matures, so too does her writing style and vocabulary. Despite being a comic book, the latter half is full of text and can be quite vexing to slog through. The most poignant and tragic moment comes when Marjane rejects her homeland and chooses freedom over a patriarchal dictatorship.

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