Ebook Sonidos Negros: On the Blackness of Flamenco (Currents in Latin American and Iberian Music)
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Sonidos Negros: On the Blackness of Flamenco (Currents in Latin American and Iberian Music)
Ebook Sonidos Negros: On the Blackness of Flamenco (Currents in Latin American and Iberian Music)
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Review
"Sonidos Negros is a majestic work - readable, revelatory, and bringing to bear all Goldberg's previous work in research and practice to reach this tome of truth. She speaks in a voice both personal and professional, inviting us in to share the insights of a life lived in flamenco, insights that may well shake up the ways in which scholars and lay readers, alike, perceive what it means to look at what we think we know, or realize we don't know, with new eyes." -- From the Foreword by Brenda Dixon GottschildA surprising and necessary book, especially in an area - flamenco studies - where there is little scholarship bringing together ample documentation, interpretive richness and, above all, an original focus. Neither the academy nor flamenco aficionados will remain indifferent to this work." -- Alberto del Campo Tejedor
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About the Author
K. Meira Goldberg is a flamenco performer, teacher, choreographer and historian. She teaches at Fashion Institute of Technology and is Scholar in Residence at the Foundation for Iberian Music at the CUNY Grad Center. She has taught and guest lectured at Sarah Lawrence College, New York University, Flamenco Festival International in Albuquerque, Ballet Hispanico, Bryn Mawr, Princeton, Duke, Juilliard, The New School, and Smith College.
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Product details
Series: Currents in Latin American and Iberian Music
Paperback: 320 pages
Publisher: Oxford University Press (January 2, 2019)
Language: English
ISBN-10: 0190466928
ISBN-13: 978-0190466923
Product Dimensions:
9.2 x 0.7 x 6.1 inches
Shipping Weight: 15.5 ounces (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
1 customer review
Amazon Best Sellers Rank:
#599,050 in Books (See Top 100 in Books)
This book is an impressive, original, highly interpretive exploration of the complexities and contradictions of Spanish cultural identity and the role of flamenco therein. At its heart is a set of Spanish historical (especially 17-19th c.) ambivalences and contradictory attitudes, including an obsession with purity of blood, a hypersensitivity to European conceptions of Spain as the ethnic/racial “Other,†and—in the 19th c.--a paradoxical nationalistic embracing of that Otherness in the form of flamenco. Goldberg argues that flamenco and its main exponents, the Roma (gitanos/Gypsies), represented a form of Blackness, itself linked in various ways to slavery, colonialism, and ideals of lasciviousness, resistance, and other values. To make this case, she draws on an extraordinary wealth of primary source material, from dance manuals and travelers’ accounts to theoretical writings on blackface minstrelsy. These materials alone make the book an engaging read for those interested in Spanish vernacular culture and flamenco.
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